sábado, marzo 31, 2007

30 números






poesía: Juana Bignozzi - Poemas + Entrevista, por Santiago Llach, Inés de Mendonça y Juan Diego Incardona. Martín Gambarotta - Rodríguez en Angola. Sergio Raimondi - Para un diccionario crítico de la lengua (extracto). Cristian De Nápoli - La sensación de trabajo. Juana Roggero - Cromañón. Antología de poesía de izquierda -anticipo- (Ernesto Cardenal, David Escobar Galindo, Roque Dalton, Miguel Ángel Bustos, José Ángel Cuevas). Compiladores: Diego Sánchez y Martín Rodríguez. narrativa: Marcos Herrera - Otro. Juan Leotta - Por los dinares iraquíes. Camila Flynn - Canción de cuna. Hernán Ronsino - Glaxo (Capítulo 1). Martín Llambí - Uno a Uno (Capítulo 1). TRAVESTISMO TRASH 13 - Naty Menstrual: El toallón. ensayos/artículos/entrevistas: ...POR LA CORNISA DE LA LITERATURA - La charla que Soriano dio en la facultad. Organizada por la Secretaría de Extensión Universitaria y el CEFyL, el 11 de noviembre de 1991. Presentación, por Sebastián Hernaiz. ESTADO DE LA CRÍTICA: después de los muertosvivos, por Claudio Iglesias y Damián Selci. LITERATURA - Metafísica y literatura en Macedonio Fernández, por Raúl Cadús. POESÍA EN BAHÍA BLANCA - Planaltos - Respuestas del día después, por Cristian de Nápoli. EN DISCUSIÓN/BLOGS - Weblogs, por Horacio Lotito. Blogs, chanchos y chanchuyos, por Hernán Vanoli. DOSSIER - Barón B. Extra Brutt. Presentación: El padre, por Christian Ferrer. El suicida, por Silvio Mattoni. Christian Ferrer, el ensayista, por Juan Pablo Liefeld. Sobre El derecho... El ejercicio de la tragedia, por Javier Fernández y Juan Leotta. Sobre pistolas y muñecas de carne, por Paula Torricella. La sombra del libertino, por Diego Tatián. Sobre El desierto... El hijo, por Nora Avaro. Los amores imposibles proustianos: la madre, la seducción. La recepción de José Bianco y Jorge Barón Biza, por Alejandra Bertucci y María Luján Ferrari. Dar la cara. Rostridad y relato materno en El desierto y su semilla de Jorge Barón Biza, por Nora Domínguez. La novela: El derecho de matar, por Raúl Barón Biza. DOSSIER: Copi - El humor de la lengua, por Juan Pablo Liefeld. Partículas insumisas, por Margarita Martínez. Notas sobre Copi, por Nancy Fernández. Literatura radical: Copi y el vacío como suplemento, por Gabriel M. C. Romano. ¿Y usted de qué se ríe?, por Eduardo Romano. Textos de Copi: La torre de la defensa - Traducción: Guadalupe Marando. La guerra de los putos - Traducción: Margarita Martínez. COLUMNAS: SÉXODO -La guerra de los trapitos, por Tatiana Goransky. TEATRO: Entrevista con Rubén Szuchmacher, por María Bayer. CINE (COLUMNA MENSUAL): Perlas en el Fango (cine por cable en Argentina), por Hernán Sassi. Marzo 2007. Dos extraños amantes (cine en video), por Hernán Sassi. Marzo 2007. libros: De Quincey revisitado. A partir de La farsa de los cielos (Paradiso, 2005), y Bosquejo de la infancia (Caja Negra, 2006) de Thomas De Quincey, en ediciones a cargo de Jerónimo Ledesma, por Claudio Iglesias. Diario de la disipación Acerca de Donde yo no estaba, de Marcelo Cohen (Norma, 2006), por Marcelo Pitrola. Literatura y realidad Acerca de Rocanrol, de Osvaldo Aguirre (Beatriz Viterbo Editora, 2006), por Sebastián Hernaiz. La Sombra sobre La Plata Sobre Cerca, de Daniel Kruppa (Paradiso, 2006), por Alejandro Soifer. Sobre Disterias, de Fermín Anastasio Grisalde (Editorial Tantalia, 2006), por Cecilia Eraso. Cercano Oeste, dos lecturas Sobre Cercano Oeste, de Mariano Hamilton (Ediciones de Puntín, 2006), por Martín García Sastre. Acerca de El ilusionista, de Gabriel Bellomo (Editorial Tantalia, 2006), por Paula Ruiz. En la jungla familiar. Lectura sobre Contando Armas de Javier Berdichesky, por Inés de Mendonça. artes visuales: Carlos Terribili - Obras + Entrevista. Francisco Estarellas - Obras. aguafuertes: Pedro Mairal - El viaje dentro del viaje (texto + video). Loyds - Contacto en Madrid. Jorge Omar Viera - Mi Marrakech. Mónica Müller - Salidas. Segunda serie de relatos de la saga villa celina - El campito - 1 - "Carlitos el borracho y su historia del gato montés", por Juan Diego Incardona.


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52 Comments:

Blogger vidad. said...

Chicos,no coincido con las ideas del sr, Terribili,pero no importa posiblemente el equivocado sea yo, en cuanto al poeta español se llamaba Marcos Ana, lo conocí bastante en mi ciudad, vino acompañado por Tejada Gomez y por el Turco Cafrune, tendría trenta y pico pero era un imbecil amariconado con una mentalidad de lo años, de lo único potable que me acuerdo de su producción poetica era una poesíaqued hablaba de su mundo de las l6 baldosas de su mundo, era un típico exponente de los ejemplares del PC de los años 6o, loado por nuestros komisarios politicos pero que cuando llegó el eurocomunismo se diluyo blandamente y murio sin penas ni gloria, solamente haber sido unos de los presos que mas estuvo encarcelado en la españa franquista.david.

marzo 31, 2007 8:20 p. m.  
Anonymous Juan said...

Muchas gracias por el comentario, David.
saludos!

abril 02, 2007 2:00 a. m.  
Blogger Mori said...

Felicitaciones por llegar al número 30 conservando la calidad y ese estilo tan peculiar.

abril 03, 2007 12:39 p. m.  
Anonymous Juan said...

Muchas Gracias Mori!

abril 04, 2007 12:27 p. m.  
Blogger chicoverde said...

a pesar de los acuerdos y desacuerdos que despierta, es una alegría que una revista con tantas voces y tanto trabajo pueda llegar al nº30

abril 09, 2007 5:50 p. m.  
Anonymous de derrida con amor said...

Esto es demasiado evidente en lo que se llama la prensa «cultural» (artes, literatura, filosofía, etc.) y en esas evaluaciones «finas» sobredeterminadas, sobrecodifïcadas, que no inducen inmediatamente la opinión pública como juicio político o decisión electoral. Cada vez que una institución mediática regula fenómenos de mercado a una escala masiva, confisca y censura también masivamente, dogmatiza, cualesquiera que sean su eclecticismo real o su liberalismo de fachada, sus virtudes o sus vicios, ya cautive, ya aburra, ya se la encuentre distinguida, vulgar, o las dos cosas a la vez. Cuando a un solo juez, se piense lo que se piense de tal o cual de sus talentos, se le confía aquí o allá un monopolio de evaluación, de filtración, de exposición a la plena luz, determina las ventas en los supermercados de la cultura. Así, una obra queda relegada lejos de la corte, hacia la noche de un recinto quasi privado, si no cumple las condiciones de visibilidad en ese gran pequeño espejo que fascina deformando, filtra y desvía hacia él tanta energía, interrumpe la conversación, pliega el cuerpo y la mirada social a una nueva fisiología, proyecta en fin al extranjero los últimos iconos de la cultura nacional. Hoy, con esta escala, de un libro tienen que venderse y, distingamos, leerse, más de diez mil ejemplares para ser otra cosa que una correspondencia confidencial y casi privada. Resultado: las investigaciones llamadas «difíciles», rebeldes al estereotipo de la imagen o de la narración, poco sometidas a las normas de la cultura así representada en su «media» (en singular, la «opinión» significa siempre la «media») quedan excluidas de la escena: ocultadas, privadas de la luz, del día. En consecuencia, se las juzga, cada vez más, «oscuras», «difíciles», o «ilegibles» y así se convierten en aquello que se dice que son y se quiere que sean: inaccesibles. El ciclo se acelera. Se diga lo que se diga de la calidad de nuestros media «culturales»

abril 16, 2007 12:45 p. m.  
Blogger los_bioy said...

¡Felicitaciones por los 30 y muchas gracias por el material que publican -en especial el de Copi-!




http://los-bioy.blogspot.com/

abril 23, 2007 2:49 a. m.  
Blogger preciado said...

¿Hay alguna edición en papel de Juana Roggero?
Saludos y felicitaciones por este excelente número.

abril 24, 2007 1:37 p. m.  
Blogger Wilfredo Rosas said...

¡Felicitaciones por llegar a un número tan redondo y significativo! Y no sólo eso, sio a haber llegado con tan buena calidad.

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mayo 18, 2007 1:12 p. m.  
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Blogger J.C.Moragaux said...

yo los sigo a todas partes!!!!!!!

mayo 27, 2007 3:04 a. m.  
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mayo 29, 2007 10:19 p. m.  
Anonymous Anónimo said...

¡Muy buena revista! ¿Para cuándo el número 31?

junio 09, 2007 7:24 p. m.  
Anonymous Juan said...

gracias!

el número 31 saldrá en junio.

saludos

junio 16, 2007 10:01 p. m.  
Blogger pep said...

muy interesante , recien descubro esto.

se consigue la revista en el interior?

julio 16, 2007 12:10 p. m.  
Anonymous juan said...

la revista es sólo virtual. su contenido es totalmente gratuito.

http://www.elinterpretador.net/

julio 27, 2007 1:53 a. m.  
Blogger sEBAStian matias oliveira said...

hay una convocatoria abierta para un ciclo que organizo a partir de agosto de rock & poesia, en mi blog mas o menos esta la info, andamos buscando poetas, artistas, bandas, solistas, etc etc para pasar una velada agradable, se aceptan adhesiones, beso

julio 27, 2007 7:51 p. m.  
Blogger mi despertar said...

Me ha fascinado tu blog, volveré

agosto 24, 2007 12:50 p. m.  
Blogger Elena said...

Me gustaría saber si hay alguna forma de comprar estas revistas en Córdoba, o si hay alguna forma de suscribirme... la verdad es que me parece una pena ir perdiendo material de lectura como este en internet.
Un abrazo.
Gracias

septiembre 03, 2007 11:45 p. m.  
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Blogger Francisco Culp said...

¿Quién es Fabricio Coppernico?
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¿Qué es la inspiración? ¿Existe? ¿Tiene algo que ver con la Infinita Paciencia? ¿Why am I really here? ¿Quién es usted? ¿Puedo meterme en su vida?

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In the United States, races can occur on flat surfaces of either dirt or grass, generally for thoroughbred racing. Other tracks offer quarter horse racing]] and harness racing. The best events in US horse racing have been Kentucky Derby, which, together with the Preakness Stakes and the Belmont Stakes, form the Triple Crown for three-year-olds. However, in recent years the Breeders' Cup races, held at the end of the year, have been challenging the Triple Crown events, held early in.


What makes this event so difficult to win? Several factors have to be considered. First there's the age of the horses. Triple Crown races are limited to 3 year olds, juveniles, all of whom officially have their birthday on January 1st of each year. By the first Saturday in May (the running of the Kentucky Derby), though most of the contestants will have actually reached their third birthday, they won't realize their full growth and potential until their fourth or fifth years.

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On paper, Barbaro is the horse to beat, and after his decisive win at the Kentucky Derby, he appears capable of beating all comers. But this is horse racing and no matter how it looks on paper we still have to run the race.

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Playing bingo needs more than luck or skills and techniques, contrary to what most believe. Bingo, just like any game of chance, comes with rules and regulations that players should observe. Being a player comes with responsibilities and etiquette.

Winning the Game

The moment you figured out you won, you must immediately yell BINGO, and it should be loud enough for the floor walker to hear. The pot money shall be given to the winner once their winning card is confirmed. Well, in winning or once you know you just won, the most important thing is that you shout the winning word BEFORE the time elapses. If the game proceeds and the next number is mentioned and you failed to shout "Bingo", your winning card is disqualified. Therefore, this is the rule you must know.

There may be cases when there are two winners, and in this case the pot money shall be divided equally among the winners. Supposing there are two winning cards, the two winners will share half the prize money.

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Bingo rules are basically the same no matter in which Online Bingo hall you play. But still it's good if you know these rules by heart. If it is your first try, then ask for handouts and inquire from pros regarding the game rules. Nonetheless, the ideal thing to do if you have questions is to ask the floor walker and not the person seated beside you. You should clarify things and doubts before the game starts because asking too many questions as the game proceeds could well distract you. This guideline also applies to those who are newcomers at casinos, those who play roulette for the first time.

Bingo halls demand an age limit of 18 years old. If you are below this age, you are prohibited to play. Some bingo houses ban alcohol inside, so players aren't supposed to take liquor nor drink it inside the venue. Smoking may also be restricted inside the venue, as there are designated smoking sections.

Take note that some Bingo houses don't allow food but some do, so it basically depends on the venue. Policies vary among different venues. For instance, some bingo halls allow reservation of cards, while others don't allow it. Some allow people to leave the venue in the middle of the game, others forbid it. But there are general policies observed in all bingo houses, such as disqualification of tampered bingo cards. There is no way you can get away with a tampered card because the walkers are adept at identifying authentic cards from tampered ones. You could be banned from a bingo establishment if proven liable of tampering a card. Hence, you should play honestly.

Interestingly, some venues offer special bingo games for kids although some halls don't allow players to have companions while playing. Suppose you bring kids with you, don't let them run around the venue and bother other gamers. They should behave well whilst you play and the game proceeds. Play quietly and don't recite the numbers you desperately want to come off because you'll be much of a disturbance if you do. Decorous playing is expectant of all players, even those who play roulette at casinos. Also, having a valid identification is important because you don't know you might win and need to present credentials.

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Asi que ahora pedrito mairal se dedica a los collages, ya era hora que se diera cuenta que lo de él no era la escritura, ¿no? Un saludo para el chupamedias de incardona, ¿qué sabor tienen las medias de faillace? Ah, y no se olviden del trolo de Hernaiz. Uds sí que son unos putos bien cogidos, ¿no?

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Приветствую всех! Порылся на вашем форуме но ответ для себя так и не нашёл (хотя некоторые темы действительно помогли кое в чём разобраться, это радует.



На протяжении длительного периода меня и мой кусок железа мучает такая непруха: достаточно сильный комп не может без проблем запускать или воспроизвоить игрушки по системным требованиям намного ниже имеющихся. Например старенькая игрушка Delta Force 2 заметно тормозит при разрешении 1024х768. Бывает что вообще не запускается какая любо игра хотя софт достаточно свежий, прилагающиеся к играм проги всегда устанавливаю. или например GTA: SA вообще не запускается, появляется чёрный экран и вылетает снова в винду.



Короче вопрос: на днях купил Ghost Recon Advanced Warfighter, что по сисетмным требованиям не

такая уж и крутая:

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...Если б вы знали как тормозит в разрешении 800х600 (меньше нельзя установить) при минимальных установках!!! Плакать хочется когда видишь у себя такое чможество!! Совершенно невозможно играть, такое впечатление что у меня какая-то с*аная IBM 486. Моё железо:

Pentium IV CPU 2600 MHz

512 ОЗУ

Win XP SP1

NVIDEA GeForce FX 5200 (последний раз ставил NVidea detonator (сборник дров).

(если нужна ещё какая либо инфа - выложу)

HDD 60 Гб (разбит на 3 части в каждом на момент запуска более 5-и гигов свободного места)

Все программы типа антивирусов и всяких которые в трее сидят и для игры не нужные полюбому перед запуском игрушек отключаю,

т.к. эта ситуация - не единичный случай это иногда помогает.





Прошу помощи в советах о том, как можно помочь компу справляться с подобными ситуациями хоть как-то! Может какой софт



посоветуете, может что установить или удалить, мож где чего-нить понажимать, потыкать или ещё что-нибудь! Заранее спасибо!
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marzo 31, 2013 9:12 p. m.  

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